The PreSonus FireStudio is the next generation in FireWire recording systems from PreSonus. Based on the award-winning Firepod, the FireStudio combines superior analog circuit design with advanced platform technology to deliver enhanced performance for music recording and creation.
The FireStudio is a 26x26 24-bit/96k professional recording system combining eight XMAX Class A PreSonus microphone preamplifiers, up to sixteen channels of optical ADAT input / output, S/PDIF and MIDI input / output, along with the Control Console - a 36x36x18 zero latency mixer/router.
The FireStudio is bundled with PreSonus Studio One Artist, the groundbreaking music creation program, and over 4 GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately.
8 XMAX Class A Preamplifiers
The FireStudio includes eight custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. Many other companies offering recording interfaces add the cheapest possible microphone preamplifier as an afterthought to the interface. PreSonus knows that the preamplifier is a key component in the sonic quality of a recording. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic to line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before converted to digital, and is why a high performance preamplifier is important to achieving great results. A cheap "off the shelf op-amp" type mic preamp that is found in most interfaces translates into thin, noisy and harsh results.
All XMAX preamplifiers are built with the same three elements:
High Voltage - The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound.
Discrete - No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.
Class A - When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency - smooth highs, solid deep lows, and everything in between.
Digital Converters and JetPLL Sync
The FireStudio touts A/D/A converters with a dynamic range of over 114dB for unbelievable clarity as well as synchronization using patented JetPLL™ jitter reduction technology. JetPLL™ incorporates noise shaping to virtually remove all audio band jitter. JetPLL™ ensures the highest converter performance possible, resulting in better stereo separation and clearer more transparent audio. JetPLL™ delivers ultra-fast locking to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. JetPLL™ ensures near perfect clock performance when networking audio devices, thus creating the most stable and robust synchronization to the computer.
Ins and Outs
The FireStudio is loaded with I/O for an extremely flexible and expandable recording system. The FireStudio starts with eight Class A custom-designed PreSonus microphone preamplifiers. You can add additional preamplifiers or analog inputs via the dual optical light pipe ports on the rear panel. You add up to two DigiMax FS, for a total of twenty-four microphone preamplifiers all in only three rack spaces! Additionally word/clock I/O for ultra tight synchronization, MIDI I/O and SPDIF I/O are on the FireStudio for further expandability.
Universal Control
All members of the FireStudio family of interfaces, including the StudioLive 16.4.2 mixer, come bundled with Universal Control software. Universal Control is a powerful, flexible, and easy to use control-panel application that allows you to daisy-chain to up to 4 FireStudio-family devices for a maximum of up to 52 inputs and outputs.
Universal Control consists of the Launch window and the Device window. In the Launch window, you can set the sample rate, clock source, safe mode, buffer size (PC only), and WDM routing (PC only) for all connected FireStudio-series interfaces. Each device is listed at the bottom of the window, along with Device Window buttons that open each interface’s Device window.
The Device window provides level and routing controls for each FireStudio-series interface’s internal mixer, enabling you to set up zero-latency monitor mixes. Input and output metering have been optimized for ultra-fast screen display and minimum CPU usage, and you can give each interface a custom name. You can use any device in the chain as the master clock source, or you can slave the entire chain to an external digital device using any of the available digital inputs in the chain.
Studio One Artist—Plus Gigabytes of Creative Resources
The FireStudio is bundled with an exceptional software package, featuring PreSonus Studio One Artist, the amazing DAW software for Mac OS X and Windows XP and Vista that makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds.
Compare Studio One Artist and bundled extras to what comes with competing mobile interfaces:
- All-meat, no-bloat, music-creation software with an intuitive, practical, single-window interface
- Unlimited tracks, insert effects, sends, virtual instruments, buses, and effects channels
- Powerful drag-and-drop functionality
- Content browser with convenient sort options and preview player
- Full-featured, flexible automation
- Powerful real-time auto/manual time-stretching and resampling engine
- Control Link™ (advanced MIDI mapping made easy)
- Twenty 32-bit Native Sound™ plug-ins, including reverbs, amp modeling, and EQ
- Four virtual instruments, including a sampler and an analog-type subtractive synth
- Ability to control the software mixer in any FireStudio-series interface to create zero-latency cue mixes.
- Gigabytes of third-party resources, including Native Instruments™ Kore™ Player with custom SoundPack (150 instruments), Native Instruments™ Guitar Rig LE, Toontrack™ EZDrummer Lite, and over 1.4 GB of loops!
Features:
- High-speed FireWire (IEEE 1394) audio interface
- 24-bit resolution, up to 96K sampling rate
- 26 simultaneous inputs and outputs
- 8 Class A microphone preamps w/ trim control
- 8 analog line Inputs, 2 Instrument Inputs
- 16 channels of optical ADAT I/O (8 ch. via 96k dual SMUX)
- S/PDIF I/O, MIDI I/O
- DICE II Chipset - ultra efficient data transfer
- JetPLL™ – jitter elimination technology
- Zero latency DSP full-matrix mixer/router
- Mac and Windows compatible
- FREE PreSonus Studio One Artist recording and production software
Tech Specs
Microphone Preamp (XLR Balanced)
All measurements Microphone Input to Direct Output
- Frequency Response (+0,- 0.5dB): 20Hz to 50KHz
- Frequency Response (+0/-3.0 dB): 20Hz to 150KHz
- Input Impedance: 1600 Ohm
- THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain): <0.003%
- EIN (unwtd, 55dB Gain, 150 Ohm Input, 20Hz to 22KHz): -126dBu
- S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz): >101dB
- Common Mode Rejection Ratio (1KHz, 55dB Gain): >55dB
- Gain Control Range (+/-1dB): -6dB to 55dB
- Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N): +17dBu
- Phantom Power (+/- 2VDC): +48VDC
Instrument Input (1/4” TRS, Preamps 1 & 2)
- Input Impedance: 1 Mega Ohm
Line Inputs (1/4” TRS, Preamps 3 to 8)
All measurements Line Input to Direct Output
- Frequency Response (+0,- 0.5dB): 20Hz to 50KHz
- Frequency Response (+0/-3.0 dB): 20Hz to 150KHz
- Input Impedance (Balanced): 10 KOhm
- THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain): < 0.003%
- S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz): >101dB
- Gain Control Range (+/-1dB): -9dB to +12dB
- Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N): +23dBu
Insert Jacks (1/4” TRS)
- Send Output Impedance (Unbalanced, Ring): 51 Ohm
- Return Input Impedance (Unbalanced, Tip): 10KOhm
Direct Outputs/DAC Outputs (1/4” TRS)
- Output Impedance (Impedance Balanced): 51Ohm
Signal Level LEDs
- Clip (+/- 0.5dBu): +18dBu
Digital Audio
- ADC Dynamic Range (Awtd, 48KHz Sample Rate): 107dB
- DAC Dynamic Range (Awtd, 48KHz Sample Rate): 110dB
- Bit Depth: 24
- Reference Level for 0dBFS: +18dBu
- Digital Audio Output (2-Toslink™ Connectors, 8 channels): ADAT/SMUX
- Digital Audio Input (2-Toslink™ Connectors, 8 channels): ADAT/SMUX
- Internal Sample Frequency Selections (KHz): 44.1, 48, 88.2, 96
- External Sample Frequency Inputs: BNC, ADAT (SMUX),SPDIF
- BNC Word Clock Output Level (75 Ohm load): 4.5V
- BNC Word Clock Input Level Range: 3.0 to 5.5V
Power
- Input Voltage Range: 18 to 30VDC
- Power Requirements (Continuous): 24W
- DC Input Connector Type: 5.5mm OD/2.1mm ID Barrel, Center Positive
- External Switching Power Supply: 90-230VAC/35W
Digital
- Jitter: <20ps RMS, 20Hz-20kHz
- Jitter Attenuation: >60dB, 1ns in=>1ps out
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PC
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Mac
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- Windows 7, Vista, XP (32-bit and 64-bit)
- Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended)
- 1 GB RAM (2 GB or more recommended)
- IEEE 1394 FireWire 400 Port
- Internet connection recommended
- DVD-ROM drive
- Internal or external 7200 RPM storage drive highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
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- Mac OS X 10.5.2 or later (32-bit and 64-bit)
- PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
- 1 GB RAM (2 GB or more recommended)
- IEEE 1394 FireWire 400 Port
- Internet connection recommended
- DVD-ROM drive
- Internal or external 7200 RPM storage drive highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
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