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PRO-53 PRO-53

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Details for PRO-53

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Manufacturer: NATIVE INSTRUMENTS
Platform: Hybrid

The PRO-53 carries on the tradition from the legendary days of vintage cult synthesizers. This virtual instrument, fashioned after the Sequential Circuits™ Prophet™-5, provides the sonic properties of the unique originals while meeting the practical requirements of the present day.  
 
Inspired by the immortal sound of the synthesizer giants of the eighties, Native Instruments created the PRO-53 to cast in software those qualities that have been such a major influence on popular music in the past twenty years: brilliance, power, warmth and beauty. Through Native Instruments' creative development philosophy, these timeless aesthetics have now reached the next step in their evolution. The result is the manifest re-definition of an original that was regarded as unrivalled until now.  
 
PRO-53 – The New Version  
With the PRO-53, the third generation of the virtual analog classic is now available. The synthesizer emulation has been vastly improved by a new oscillator technology that offers an even warmer and more brilliant sound. In addition the sonic possibilities have been expanded even further with new features like a high-pass filter mode and an invertible filter envelope. The control surface was also reworked and now shines in a whole new light.  
 
Using Native Instruments' highly advanced NSP-Technology (Native Signal Processing) it is possible to generate a software synthesizer that rivals its legendary hardware predecessors. The Native Instruments PRO-53 sets new standards without denying its origins.  
 
What's new: no fixed limit to the number of voices, many more savable preset slots, velocity sensitivity, MIDI automation of all available parameters, an additional effects section, a high-pass filter mode, invertible filter envelope, audio input, LFO-envelope retrigger, and the option to run several PRO-53s in parallel.  
 
Sounds for any eventuality  
The PRO-53 is able to import Prophet-5™ SysEx sound data, which means it can read and accurately reproduce all the existing sound libraries made for the original. The subtle deviations from perfect behaviour, which are typical of analog circuits and crucial to the sound, can now be fine-tuned.  
 
The huge sound library gives the PRO-53 plenty of material for all kinds of musical styles: 512 selected classic and modern analog sounds cover any possibility.  
64 of these sounds have already been programmed for the previous version by synthesizer legend John Bowen, one of the creators of the Prophet™-5 synthesizer. In addition, PRO-53 comes with 64 new sound presets, which were specially designed to take advantage of PRO-53's features.  
 
512 preset memory slots are available where you can store your own sound creations. The PRO-53 displays a name for each of the presets, unlike the original which only displayed the preset number.  
 
Effects  
A built-in effects unit adds multi-echo and ultra-fat chorus and flanging effects. This makes the sound of the PRO-53 'complete' for both live performance and studio production. The included preset sounds make extensive use of the effects. The PRO-53 also has an audio input for processing external audio signals through its filters and effects.  
 
Integration  
The Native Instruments PRO-53 integrates perfectly into any computer based virtual studio by supporting the interfaces VST®, DXi™, MAS™ and DirectConnect™. It can be used as a sequencer plug-in or as a stand-alone synthesizer. It is possible to run several PRO-53 plug-in instances in parallel.  
 
Oscillators  
The PRO-53’s oscillator technology makes the PRO-53’s impressive sound even warmer and more brilliant than before. The sonic character of the PRO-53 reaches new levels of quality for virtual analog sound creation.  
 
User Interface  
Larger knobs and switches provide for easier and more ergonomic operation and convenient editing. In addition, there are several new elements on the control panel.  
 
Filter  
The filter can now be switched from a normal low-pass to a high-pass filter. In addition, the action of the filter envelope can be inverted, which allows for sonic colors that were not possible with the PRO-52.  
 
LFO  
LFO-Envelope-Retrigger: The LFO can create repetitive sounds using the envelope-trigger button: held notes are newly re-effected by every pass of the LFO. Since the LFO can be synchronized with MIDI clock, sounds can be fit rhythmically to the song’s tempo.  
 
PRO-53 as effect plug-in  
Hold mode: Use of the PRO-53 as an effect plug-in to process external signals with its filter and effects has been simplified: a hold button makes entering a long MIDI note into the sequencer (to open the envelope) unnecessary. The hold function also makes sound programming easier and can be used with the envelope-trigger-function of the LFO.  
 
MIDI  
The MIDI-implementation is clearly more versatile on the PRO-53: with MIDI-learn the control elements can be operated by hand by assigning them to the desired controllers, for example, the knobs and sliders on a MIDI controller box. The set-up connections can be saved in a controller-map. Several pre-configured controller-maps come with the software and can be loaded directly into the PRO-53.

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